Just arrived in Argentina, small-time crooked gambler Johnny Farrell is saved from a gunman by sinister Ballin Mundson, who later makes Johnny his right-hand man. But their friendship based on mutual lack of scruples is strained when Mundson returns from a trip with a wife: the supremely desirable Gilda, whom Johnny once knew and learned to hate. The relationship of Johnny and Gilda, a battlefield of warring emotions, becomes even more bizarre after Mundson disappears...
Rita Hayworth | Gilda | |
Glenn Ford | Johnny Farrell | |
George Macready | Ballin Mundson | |
Joseph Calleia | Det. Maurice Obregon | |
Steven Geray | Uncle Pio | |
Joe Sawyer | Casey | |
Gerald Mohr | Capt. Delgado | |
Mark Roberts | Gabe Evans | |
Ludwig Donath | German Cartel Member | |
Donald Douglas | Thomas Langford | |
Julio Abadía | Newsman | |
Enrique Acosta | Gambler | |
Ed Agresti | Nightclub Patron | |
Sam Appel | Blackjack Dealer | |
Sam Ash | Gambler | |
Nina Bara | Girl at Carnival | |
Edward Biby | Gambler | |
Robert Board | American Cartel Member | |
Symona Boniface | Gambler at Roulette Table | |
Eugene Borden | Blackjack Dealer | |
Paul Bradley | Man | |
Argentina Brunetti | Woman | |
Jack Chefe | Assistant Croupier | |
Eduardo Ciannelli | Cartel Member | |
James Conaty | Gambler |
Director | Charles Vidor | |
Writer | E.A. Ellington, Jo Eisinger, Marion Parsonnet, Ben Hecht, Serge Plaute, Pierre Ulmann | |
Producer | Virginia Van Upp | |
Musician | Hugo Friedhofer | |
Photography | Rudolph Maté |
Quantity | 1 |
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Seen | |
Added Date | Jul 25, 2018 20:21:43 |
Modified Date | Jun 12, 2022 00:34:44 |
Screen Ratios | Fullscreen (4:3) |
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Distributor | Criterion Collection |
Edition Release Date | Jan 19, 2016 |
SPECIAL FEATURES
New 2K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
Audio commentary from 2010 by film critic Richard Schickel
New interview with film noir historian Eddie Muller
Piece from 2010 featuring filmmakers Martin Scorsese and Baz Luhrmann discussing their appreciation for Gilda
Trailer
PLUS: An essay by critic Sheila O’Malley
New cover by Jessica Hische and Eric Skillman