A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in LA. He must find a way to save both himself and one last victim.
Tom Cruise | Vincent | |
Jamie Foxx | Max | |
Jada Pinkett Smith | Annie | |
Mark Ruffalo | Fanning | |
Peter Berg | Richard Weidner | |
Bruce McGill | Pedrosa | |
Irma P. Hall | Ida | |
Barry Shabaka Henley | Daniel | |
Richard T. Jones | Traffic Cop #1 | |
Klea Scott | Fed #1 | |
Bodhi Elfman | Young Professional Man | |
Debi Mazar | Young Professional Woman | |
Javier Bardem | Felix | |
Emilio Rivera | Paco | |
Jamie McBride | Traffic Cop #2 | |
Ken Waters | FBI Agent | |
Charlie E. Schmidt | FBI Agent | |
Michael Bentt | Fever Bouncer | |
Ian Hannin | Cell Phone Partier | |
Robert Deamer | Sergeant | |
David Mersault | Crime Scene Cop | |
Anthony Ochoa | Crime Scene Cop | |
Omar Orozco | El Rodeo Doorman | |
Edgar Sánchez | El Rodeo Doorman | |
Cosme Urquiola | El Rodeo Doorman |
Director | Michael Mann | |
Writer | Stuart Beattie | |
Producer | Bryan H. Carroll, Gusmano Cesaretti, Frank Darabont, Michael Doven, Robert N. Fried, Peter Giuliano, Julie Herrin, Michael Mann, Julie Richardson, Chuck Russell, Michael Waxman | |
Musician | James Newton Howard | |
Photography | Dion Beebe, Paul Cameron |
Quantity | 1 |
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Seen | |
Added Date | Mar 10, 2012 13:58:29 |
Modified Date | Jun 12, 2022 00:32:08 |
Screen Ratios | Theatrical Widescreen (2.40:1) |
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Audio Tracks | Dolby Digital 5.1 [English] Dolby Digital 5.1 [French] Dolby Digital Stereo [English] DTS 5.1 [English] |
Subtitles | English | English (Closed Captioned) | French | Spanish |
Layers | Single side, Dual layer |
Edition Release Date | Dec 14, 2004 |
Story Synopsis:
Jason Bourne (Damon) is living his life in seclusion but always on the lookout for those who are after him. After his worst fears are realized and his girlfriend is killed, Jason leaves his idyllic existence to chase after the person who destroyed his life. Determined not to let anything get in his way, Jason's thirst for revenge is so strong that he won't give up until he has won. Get ready for one wild car chase after another in The Bourne Supremacy, the second film in the series based on the novel by Robert Ludlum. (Tricia Littrell)
DVD Picture:
The anamorphically enhanced 2.35:1 DVD picture looks quite detailed, with nicely rendered textures into backgrounds. The picture lacks a smooth, polished look; as an intentionally harsh, gritty appearance seems more visually complementary to the thrilling subject matter. The color scheme can be generally well-balanced, though a few scenes have a green tinge. While some scenes seem a bit desaturated, hues can be nicely saturated, with undefined and endless blacks. Film grain is often noticed in the source element. Finicky viewers may notice minor edge halos, but the distraction is hardly a problem with this title. Pixelization occasionally causes the breakup of finer details, but the picture is often very solid. (Suzanne Hodges)
Soundtrack:
Imaging around the room is fantastic in this Dolby® Digital 5.1-channel soundtrack, with an impressively wide front soundstage, convincing side-to-side and front/back pans, and a fluid clean fidelity throughout the frequency range. Bass is deep and persistent, often dropping below 25 Hz in each of the main channels. Music is represented well, filling the entire holosonic™ soundfield and creating an impressive stage in the front and rear of the room. The well-executed imaging around the room creates an impressively dynamic spatial dimensionality that really gives a “being there” experience. The low end foundation is particularly solid, with deep bass distinctive from each of the main channels. LFE channel activity is held in check, though, only utilized in the most intense and dramatic of scenes. Dialogue sounds very crisp, with impressive fidelity that can easily be detected. Individual effects can easily be located around the room. This is an incredibly detailed and creative soundtrack that does a good job of enveloping the audience into the story and the action. (Danny Richelieu)