A red-haired boy is his mother's punching bag; only his father's presence is a great comfort to him, but this weak man is under the shrew's thumb. His pain is so great he feels suicidal.
Harry Baur | Monsieur Lepic | |
Robert Lynen | François Lepic - dit 'Poil de Carotte' | |
Louis Gauthier | Le parrain | |
Simone Aubry | Ernestine Lepic | |
Maxime Fromiot | Félix Lepic | |
Colette Segall | La petite Mathilde | |
Marthe Marty | Honorine - la vieille bonne | |
Christiane Dor | Annette / la bonne | |
Catherine Fonteney | Madame Lepic | |
Claude Borelli | Un petit garçon à la noce | |
Colette Borelli | Une petite fille à la noce | |
Jean Borelli | Un petit graçon à la noce |
Director | Julien Duvivier | |
Writer | Jules Renard, Julien Duvivier | |
Musician | Alexander Tansman | |
Photography | Monniot, Armand Thirard |
Quantity | 1 |
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Seen | |
Added Date | Dec 14, 2022 17:53:28 |
Modified Date | Dec 14, 2022 18:19:14 |
Remembered primarily for directing the classic crime drama Pépé le moko, Julien Duvivier was one of the finest filmmakers working in France in the 1930s. Thanks to a formidable innate understanding of the cinematic medium, Duvivier made the transition from silents to talkies with ease, marrying his expressive camera work to a strikingly inventive use of sound with a singular dexterity. His deeply shadowed, fatalistic early sound films David Golder and La tête d’un homme anticipate the poetic realist style that would come to define the decade in French cinema and, together with the small-town family drama Poil de Carotte and the swooning tale of love and illusion Un carnet de bal, showcase his stunning versatility. These four films—all featuring the great stage and screen actor Harry Baur—are collected here, each evidence of an immense and often overlooked cinematic talent.
Julien Duvivier remade his own silent adaptation of a popular turn-of-the-twentieth-century novella and play for the sound era, resulting in one of his most beloved films. In a tremendously moving performance, Robert Lynen plays the neglected young François, mockingly called Poil de Carotte (Carrottop) by his family for his mop of red hair. Duvivier sensitively charts the rural daily life of a boy desperate to connect with others, especially his distracted father, played by the chameleonic Harry Baur.
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