1. | Moonlighting: Season 1-2 | 1985 |
Moonlighting
When former fashion model Maddie Hayes goes broke and finds that one of her few remaining assets is ownership of the Blue Moon Detective Agency, she is tempted to liquidate it until she meets the quirky employees and gets involved in their even quirkier cases. Moonlighting as a series was plagued by production delays and erratic scheduling. Scheduled episodes were often delayed for weeks and reruns substituted at the last minute. Many in-jokes and short fill-in pieces refer to this and other topical items at the beginning and end of some programs. Episodes 35 - 39 were particularly affected by this, and in their original broadcast contained intros dealing with the slow production pace.
ABC Broadcast History March 1985 - February 1989: Tuesdays 9:00 PM April 1989 - May 1989: Sundays 8:00 PM
![]() |
Cybill Shepherd | Maddie Hayes |
![]() |
Bruce Willis | David Addison Jr. |
![]() |
Allyce Beasley | Agnes DiPesto |
![]() |
Curtis Armstrong | Herbert Quentin Viola |
![]() |
Kristine Kauffman | Kris - Blue Moon Employee |
![]() |
Jonathan Ames | Jergenson |
![]() |
Daniel Fitzpatrick | O'Neill |
![]() |
Jamie Taylor | Jamie - Blue Moon Employee |
![]() |
Willie Brown | Simmons |
![]() |
Jack Blessing | MacGillicudy |
![]() |
Inez Edwards | Inez |
![]() |
Eva Marie Saint | Virginia Hayes |
![]() |
Robert Webber | Alexander Hayes |
![]() |
Charles Rocket | Richard Addison |
![]() |
Clinton Allmon | Jury Man #1 |
![]() |
Mark Harmon | Sam Crawford |
![]() |
Dennis Dugan | Walter Bishop |
![]() |
Virginia Madsen | Lorraine Anne Charnock |
![]() |
Brooke Adams | Terri Knowles |
![]() |
Bill Marcus | Bowling Alley Manager |
![]() |
Ronald G. Joseph | Captain Shank |
![]() |
Tracey Walter | Arnie Steckler |
![]() |
R.H. Thomson | Dr. Steve Hill |
![]() |
Tony Bill | Scott Hundley |
![]() |
Julia Jennings | Rita McClafferty |
After an embezzling accountant leaves her penniless, ex-model Maddie Hayes decides to sell the few failing businesses she still owns, among them a detective agency. But private eye David Addison wants to keeps his job, so he persuades a reluctant Maddie to form a partnership. Their first case gives them little to go on: Maddie gets a broken watch from a dying man.
Dave and Maddie face a difficult situation when they have to tell their client that the son he hired them to find is a notorious contract killer.
Maddie believes that a client's design secrets are being pilfered from the astral plane by a psychic.
Maddie becomes infatuated with a radio talk-show host who has apparently been murdered while he was on the air.
Maddie and Dave get trapped on a train filled with mystery buffs when they try to deliver Agnes on time for her big weekend solving a make-believe murder staged by a famous author.
Dave and Maddie find a dead body as they try to collect money for a collection agency, but it disappears without a trace when they try to report it.
Dave's older brother shows up unexpectedly, flashing a big roll of money and determined to impress a bemused Maddie, unaware that he's pursued by a drug dealer who wants his money back.
A mysterious veiled woman asks Dave and Maddie to find the man who disfigured her twenty years ago on her wedding day-so she can marry him.
Maddie learns through the near-suicide of a friend where her embezzling accountant has fled to and immediately flies after him, determined to get her money back.
Dave and Maddie each dream their own solutions to an unsolved 1946 murder case after hearing the story while finishing an investigation.
Maddie bets David that he can't act like a mature responsible professional for one full week while they deliver ransom money for the mother of a kidnapped concert pianist.
Maddie fears David's old flame is using him when she returns and asks him for help with a bad marriage.
Dave and Maddie argue over whether to help a young woman who claims to be a leprechaun find the pot of gold she insists her father has hidden for her in Los Angeles.
Maddie becomes obsessed by the portrait done of her by an artist she never knew and who killed himself upon completing it.
Dave busies himself finding an important phone index for a hapless young executive while Maddie mulls over an offer to sell the agency to a competitor.
Ms. Dipesto finds a baby left in her apartment by a woman named Mary fleeing from the hit men who killed her husband, and Dave and Maddie quarrel over using the agency phones as a "Santa hot line."
Dave and Maddie compete to fulfill their client's unusual request: find him a possible mate fitting his very specific requirements.
A restless Ms. Dipesto gets a chance for danger and excitement when she gets a piece of paper from a mysterious man while attending a ball in Dave and Maddie's place.
Dave and Maddie agree to "corpse-sit" for an escape artist's widow, who believes her dead husband's threats to come back and get even with her.
Maddie worries about her parents' strange behavior, so Dave tails her father to see if he's having an affair.
A sick old man asks Dave and Maddie to be the "expert" witnesses at his murder.
Dave uses information passed on to him from a prostitute with an important client who talks in his sleep to solve several big cases.
A depressed man hires a hit man to kill him after his wife dies, then desperately seeks Dave and Maddie's help to call him off when he sees his supposedly dead wife alive.
Dave hires an unlucky con woman who accidentally became a heroine when she stopped an assassination attempt against a United States senator, but who is still pursued by a determined crooked cop.