A mysterious, tall, blonde woman, wearing sunglasses murders one of a psychiatrist's patients, and now she's after the prostitute who witnessed it.
Michael Caine | Dr. Robert Elliott | |
Angie Dickinson | Kate Miller | |
Nancy Allen | Liz Blake | |
Keith Gordon | Peter Miller | |
Dennis Franz | Detective Marino | |
David Margulies | Dr. Levy | |
Ken Baker | Warren Lockman | |
Susanna Clemm | Betty Luce | |
Brandon Maggart | Cleveland Sam | |
Amalie Collier | Cleaning Woman | |
Mary Davenport | Woman in Restaurant | |
Anneka Di Lorenzo | Nurse | |
Norman Evans | Ted | |
Robbie L. McDermott | Man in Shower | |
Bill Randolph | Chase Cabbie | |
Sean O'Rinn | Museum Cabbie | |
Fred Weber | Mike Miller | |
Samm-Art Williams | Subway Cop | |
Robert Lee Rush | Hood #1 | |
Anthony Boyd Scriven | Hood #2 | |
Robert McDuffie | Hood #3 | |
Frederick Sanders | Hood #4 | |
Paul DeCeglie | TV Reporter | |
William Finley | Bobbi | |
Wendell Hauser |
Director | Brian De Palma | |
Writer | Brian De Palma | |
Producer | Samuel Z. Arkoff, Fred C. Caruso, George Litto | |
Musician | Pino Donaggio | |
Photography | Ralf D. Bode |
Quantity | 1 |
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Seen | |
Added Date | Dec 25, 2015 19:23:55 |
Modified Date | Jun 12, 2022 00:34:21 |
Christmas gift 2015 from Beth
Disc Features
DIRECTOR-APPROVED SPECIAL EDITION:
New, restored 4K digital transfer of director Brian De Palma’s preferred unrated version, supervised by the director, with uncompressed monaural soundtrack on the Blu-ray
New conversation between De Palma and filmmaker Noah Baumbach
New interviews with actor Nancy Allen, producer George Litto, composer Pino Donaggio, shower-scene body double Victoria Lynn Johnson, and poster photographic art director Stephen Sayadian
The Making of “Dressed to Kill,” a 2001 documentary
New profile of cinematographer Ralf Bode, featuring filmmaker Michael Apted
Interview with actor-director Keith Gordon from 2001
Pieces from 2001 about the different versions of the film and the cuts made to avoid an X rating
Gallery of storyboards by De Palma
Trailer
PLUS: An essay by critic Michael Koresky
Cover based on original poster