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Sting... All This Time

Sting... All This Time – All This Time

Universal Music & Video (2001)
Documentary | Music
Italy | English | Color | 01:00
DVD
NR (Not Rated)
606949316990
| 1 disc
Region 1
Keep Case

This DVD contains a behind the scenes documentary film and an intimate concert performance by Sting. The documentary is a candid look at the genesis, development and realisation of Sting's live CD. "...all this time," which features reinvented arrangements of Sting's most celebrated songs.


Personal

Quantity 1
Seen
Added Date Mar 10, 2012 13:58:33
Modified Date Jun 12, 2022 00:33:48

Edition details

Screen Ratios Fullscreen (4:3)
Audio Tracks Dolby Digital 5.1
Dolby Digital 5.1 [English]
Dolby Digital Stereo [English]
Stereo [English]
Layers Single side, Single layer
Edition Release Date Dec 04, 2001

Notes

Story Synopsis:
After “All This Time,” “Sting” has created unforgettable music with The Police and as a solo performer. Feeling “Fragile” on the day of the September 11th concert, Sting and his performers reinvent hits like “Roxanne,” “Every Breath You Take,” “Shape Of My Heart,” and “If I Ever Lose My Faith In You.” (Suzanne Hodges)


DVD Picture:
The anamorphically enhanced 1.78:1 DVD (the jacket provides no picture format details) exhibits gorgeous colors which appear rich and natural in the intimate evening concert. Blacks are deep and solid, and fleshtones are well balanced. Images appear generally sharp, with at times a soft quality that compliments the mellow atmosphere. Contrast and shadow delineation are superb. The documentary, which can be viewed as a part of the entire program, exhibits pleasing quality, though aliasing problems and shimmering artifacts are noticed, yet few distractions are noticed during the concert. Overall, this is a solid satisfying visual experience which should delight longtime fans of Sting. (Suzanne Hodges)


Soundtrack:
Miscredited as Dolby® Surround on the jacket, the Dolby Digital 5.1-channel audio is a wonderful presentation, delivering excellent fidelity and a surround sound presence that should overall be quite entertaining and welcome, if only seeming a bit overprominent in the surrounds. Another aspect of the audio that might be questioned by some is the decision to have Sting’s voice integrated into the soundfield, such that he has a somewhat ubiquitous presence, or in other words, considerably less spatial definition than if his voice were anchored or phantom imaged at front center. The low-end is very well-defined and is presented with satisfying foundation, with substantial .1 LFE engagement and sub-25 Hz extension in the screen channels. (Perry Sun)



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