Suffering short-term memory loss after a head injury, Leonard Shelby embarks on a grim quest to find the lowlife who murdered his wife in this gritty, complex thriller that packs more knots than a hangman's noose. To carry out his plan, Shelby snaps Polaroids of people and places, jotting down contextual notes on the backs of photos to aid in his search and jog his memory. He even tattoos his own body in a desperate bid to remember.
Guy Pearce | Leonard | |
Carrie-Anne Moss | Natalie | |
Joe Pantoliano | Teddy | |
Mark Boone Junior | Burt | |
Russ Fega | Waiter | |
Jorja Fox | Leonard's Wife | |
Stephen Tobolowsky | Sammy Jankis | |
Harriet Sansom Harris | Mrs. Jankis | |
Thomas Lennon | Doctor | |
Callum Keith Rennie | Dodd | |
Kimberly Campbell | Blonde | |
Marianne Muellerleile | Tattooist | |
Larry Holden | Jimmy | |
Doshia Darmane | Motel Guest | |
Stephanie Searson | Jimmy's Daughter | |
Buzz Visconti | Motel Guest |
Director | Christopher Nolan | |
Writer | Christopher Nolan, Jonathan Nolan | |
Producer | Christopher Ball, Elaine Dysinger, Aaron Ryder, Emma Thomas, Jennifer Todd, Suzanne Todd, William Tyrer | |
Musician | David Julyan | |
Photography | Wally Pfister |
Quantity | 1 |
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Seen | |
Added Date | Mar 10, 2012 13:58:32 |
Modified Date | Jun 12, 2022 00:33:15 |
Screen Ratios | Theatrical Widescreen (2.35:1) |
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Audio Tracks | Dolby Digital 5.1 [English] Dolby Digital Surround [English] DTS 5.1 [English] |
Subtitles | English | English (Closed Captioned) | Spanish |
Layers | Single side, Dual layer |
Edition Release Date | May 21, 2002 |
Story Synopsis:
Based on the short story by Jonathan Nolan. Once he is able to absorb the terrible incident that ruined his life, Shelby sets out to piece together enough information for vengeance...despite a multi-layered abyss of uncertainty. His only way of moving forward in his life is to keep Mementos of daily notes, Polaroid photographs, and tattoos with crucial reminders. Due to head trauma he sustained during a confrontation with an intruder who raped and murdered his wife, Leonard Shelby (Pearce) suffers from a rare brain disorder that prevents him from converting new experiences into long-term memory. (Suzanne Hodges)
DVD Picture:
Overall, the picture is quite satisfying, especially when compared to the previous DVD, and, if you have the patience (or sense of humor) to endure the menus, this is the better DVD version to own. The black-and-white scenes have an intentionally gritty, grainy texture. Colors are more refined, with more accurate hues and balanced fleshtones, compared to the reddish fleshtones and smeared hues on the previous version. Images are also slightly sharper with better definition by comparison. The anamorphically enhanced 2.35:1 DVD offers improved image quality over the previously released DVD (Issue 54). (Suzanne Hodges)
Soundtrack:
This is a soundtrack of a relatively quiescent nature, yet the subtle sense of expansion from atmospheric effects and the nicely recorded music is tasteful and welcome. The low-end is also fairly modest throughout, but there is some noticeable sub-25 Hz activity along with some .1 LFE activity. The dialogue has a somewhat “close-up” presence that compromises spatial integration to a certain extent, but voices do have reasonably natural tonality. Fidelity is quite good, though somewhat veiled in terms of sonic character. There is also a substantial balance toward the screen, with the surrounds sparingly engaged. The ability of the DTS® Digital Surround™ audio to resolve subtle spatial detail is slightly preferred, and the low-end is just a little more prominent. While a generally modest dimensional soundfield, the sense of expansion across the screen is quite notable. The Dolby® Digital 5.1-channel soundtrack is the same as that of the previous DVD. (Perry Sun)