A pair of NYC cops in the Narcotics Bureau stumble onto a drug smuggling job with a French connection.
Gene Hackman | Jimmy Doyle | |
Fernando Rey | Alain Charnier | |
Roy Scheider | Buddy Russo | |
Tony Lo Bianco | Sal Boca | |
Marcel Bozzuffi | Pierre Nicoli | |
Frédéric de Pasquale | Henri Devereaux | |
Bill Hickman | Agent Bill Mulderig | |
Ann Rebbot | Marie Charnier | |
Harold Gary | Joel Weinstock | |
Arlene Farber | Angie Boca | |
Eddie Egan | Capt. Walt Simonson | |
André Ernotte | La Valle | |
Sonny Grosso | Agent Clyde Klein | |
Benny Marino | Lou Boca | |
Patrick McDermott | Harvey - Chemist | |
Alan Weeks | Pusher | |
Al Fann | Informant | |
Irving Abrahams | Irv - Police Mechanic | |
Randy Jurgensen | Police Sergeant | |
William Coke | Motorman | |
The Three Degrees | The Three Degrees | |
Frank Adonis | Bidder at New York Car Auction | |
Gilda Albertoni | Uncredited | |
Robert Dahdah | Man | |
Frank Durk | News Cameraman |
Director | William Friedkin | |
Writer | Ernest Tidyman, Robin Moore, William Friedkin | |
Producer | Philip D'Antoni, G. David Schine, Kenneth Utt | |
Musician | Don Ellis | |
Photography | Owen Roizman |
Quantity | 1 |
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Seen | |
Added Date | Mar 10, 2012 13:58:30 |
Modified Date | Jun 12, 2022 00:32:45 |
Screen Ratios | Anamorphic Widescreen (1.85:1) Widescreen (1.85:1) |
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Audio Tracks | Dolby Digital 5.1 [English] Dolby Digital 5.1 [French] Dolby Digital Mono [English] Dolby Digital Mono [French] Dolby Digital Stereo [English] |
Subtitles | English | English (Closed Captioned) | Spanish |
Layers | Single side, Dual layer |
Edition Release Date | Sep 25, 2001 |
Story Synopsis:
The French Connection swept the 1971 Academy Awards®, winning the top five categories. Based on the book by Robin Moore and inspired by a true story about a tough New York City narcotics officer (Hackman) and his partner (Scheider) who are assigned to bust a Frenchman dealer (Rey) and a half-million dollar shipment of heroine. (Suzanne Hodges)
DVD Picture:
The anamorphically enhanced 1.85:1 DVD exhibits a dated picture, but one that is quite sharp, with good contrast. Colors are well balanced, with generally accurate fleshtones, and endless blacks. The source element is revealing of artifacts and film grain. Edge enhancement can be obtrusive at times. The LaserDisc (Issue 20), by comparison, is totally undefined with limited contrast. (Suzanne Hodges)
Soundtrack:
The Dolby® Digital 5.1-channel soundtrack is a remastering effort, for which the primary contribution to the new sound mix seems to be dimensional processing of the original audio for expansiveness across the screen, as well as some spaciousness in the surrounds. The original audio has been re-purposed as well, and nicely fills the listening space, sometimes with aggressive surround engagement and notable .1 LFE activity. The source for this remastering is apparently the original mono soundtrack for effects, and the stereo recording for the music. (Perry Sun)