A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
Edward Norton | Narrator | |
Brad Pitt | Tyler Durden | |
Meat Loaf | Robert Paulsen | |
Zach Grenier | Richard Chesler (Regional Manager) | |
Richmond Arquette | Intern at Hospital | |
David Andrews | Thomas at Remaining Men Together | |
George Maguire | Group Leader - Remaining Men Together | |
Eugenie Bondurant | Weeping Woman - Onward and Upward | |
Christina Cabot | Leader - Partners in Positivity | |
Helena Bonham Carter | Marla Singer | |
Sydney 'Big Dawg' Colston | Speaker - Free and Clear | |
Rachel Singer | Chloe | |
Christie Cronenweth | Airline Check-In Attendant | |
Tim De Zarn | Federated Motor Co. Inspector Bird | |
Ezra Buzzington | Federated Motor Co. Inspector Dent | |
Dierdre Downing-Jackson | Business Woman on Plane | |
Bob Stephenson | Airport Security Officer | |
Charlie Dell | Doorman at Pearson Towers | |
Rob Lanza | Man in Suit | |
David Lee Smith | Walter | |
Holt McCallany | The Mechanic | |
Joel Bissonnette | Food Court Maitre D' | |
Eion Bailey | Ricky | |
Evan Mirand | 'Steph' | |
Robby Robinson | Next Month's Opponent |
Director | David Fincher | |
Writer | Chuck Palahniuk, Jim Uhls | |
Producer | Ross Grayson Bell, Cean Chaffin, John S. Dorsey, Art Linson, Arnon Milchan | |
Musician | Dust Brothers, John King, Michael Simpson | |
Photography | Jeff Cronenweth |
Quantity | 1 |
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Seen | |
Added Date | Mar 10, 2012 13:58:30 |
Modified Date | Jun 12, 2022 00:32:41 |
Screen Ratios | Theatrical Widescreen (2.35:1) Theatrical Widescreen (2.40:1) |
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Audio Tracks | Dolby Digital 5.1 [English] Dolby Digital Surround [English] Dolby Digital Surround [French] |
Subtitles | English (Closed Captioned) | French |
Layers | Single side, Dual layer |
Edition Release Date | Jun 06, 2000 |
Story Synopsis:
In the darkly comic drama “Fight Club,” based on the novel by Chuck Palahniuk, Edward Norton plays a young man fed up with the meaninglessness of his life and the world around him. His lack of fulfullment from all that he buys and his isolation from others lead him to crash support groups for people with terminal illnesses just so he can have someone to talk to. That is until he meets Tyler Durden (Pitt), a soap salesman who is more into the raw experiences of life. The two become friends, and move into a rundown house with no upscale ammenities. One night, the two get into a friendly bare-fisted brawl and the charge they both feel from the experience makes them continue the fights as a weekly practice. The Saturday night fight ritual begins to draw others, and soon the two friends have created a set of rules to manage all the guys who want to join the Fight Club. But bonding through violence can hold disasterous consequences, and when fellow support-group-crasher Marla Singer (Bonham Carter) gets involved with Tyler, the freedom-through-fighting mood begins to shift.
DVD Picture:
The highly stylized 2.40:1 picture is anamorphically enhanced, and nicely presents the intentionally bland and desaturated vision of the filmmakers. The mostly dark picture allows slight visual information in the undefined black backgrounds. Lighting and different film stocks played a major role in filming, as heard on the fourth commentary track. Available light was preferred to keep the film’s drab, menacing appearance. With stylization in mind, the picture is nicely rendered, with sharp and finely detailed images in some scenes, and others that are muddy and undefined. Colors are always undersaturated, but support the look of the film throughout. The picture is often underexposed, and provides soft backlighting to the dark picture. Occasionally, the picture appears somewhat "digital" with minor pixelization, but artifacts generally do not distract for an intriguing visual experience in all accounts.
Soundtrack:
The Dolby® Digital 5.1-channel soundtrack is an interesting, creative sonic experience and a standout in terms of dynamics and dimension. The fidelity overall is noteworthy, and the generally aggressive nature of this soundtrack is loud but should not be overpowering. The soundfield is consistently spacious throughout and the surrounds add to the dimensional perceptivity with occasional aggressive envelopment and left-right separation. The audio is also Dolby Digital Surround EX™-encoded. The back surround kicks in noticeably, though primarily for steered effects and to heighten the sense of space. Edward Norton’s narrative has an excessively chesty presence. The dialogue is often placed too far forward, and also has a close-miked sonic character which compromises intelligibility. The music, provided courtesy of The Dust Brothers, is aggressively incorporated into the 5.1-channel soundfield, energizing the listening space. Bass is impressively deep and rumbling with aggressive .1 LFE engagement, and is used to interesting effect throughout. It is also engaged prodigiously with the music. Extension of low frequencies is low enough that you can feel the subsonic cycles! The impact of the crunches and hits during the fights is convincing enough to make you cringe. This is an impressive soundtrack production that will surely convey the unnerving visceral momentum of this intriguingly violent film.
This Disc Contains The Following WSR-Rated Superb Qualities:
Reference Quality
Collector Edition
Superb Sound Effects Recording Quality
Superb Special Visual Effects Quality