Eddie Addams wants to be an actor and becomes one. Although different than he aspired, he is discovered by a porn director. The movie shows the development of porn industry in the late 70's and 80's. Eddie's career is altered by the arrival of video.
Luis Guzman | Maurice t.t. Rodriguez | |
Burt Reynolds | Jack Horner | |
Julianne Moore | Amber Waves | |
Rico Bueno | Hot Traxx Waiter | |
John C. Reilly | Reed Rothchild | |
Nicole Ari Parker | Becky Barnett | |
Don Cheadle | Buck Swope | |
Heather Graham | Rollergirl | |
Mark Wahlberg | Eddie Adams | |
William H. Macy | Little Bill | |
Samson Barkhordarian | Hot Traxx Chef | |
Nina Hartley | Little Bill's Wife | |
Brad Braeden | Big Stud | |
Joanna Gleason | Dirk's Mother | |
Lawrence Hudd | Dirk's Father | |
Michael Stein | Stereo Customer | |
Stanley DeSantis | Buck's Manager | |
Patricia Forte | Teacher | |
Kai Lennox | High School | |
Laurel Holloman | Sheryl Lynn | |
Jason Andrews | Johnny Limo Driver | |
Robert Ridgely | The Colonel James | |
Lil' Cinderella | Colonel's Lady Friend | |
Greg Lauren | Young Stud | |
Tom Dorfmeister | Watcher #1 |
Director | Paul Thomas Anderson | |
Writer | Paul Thomas Anderson | |
Producer | Paul Thomas Anderson, Michael De Luca, Larry Gordon, Lynn Harris, Lloyd Levin, Daniel Lupi, John S. Lyons, JoAnne Sellar | |
Musician | Michael Penn | |
Photography | Robert Elswit |
Quantity | 1 |
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Seen | |
Added Date | Mar 10, 2012 13:58:28 |
Modified Date | Jun 12, 2022 00:32:00 |
Screen Ratios | Theatrical Widescreen (2.35:1) |
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Audio Tracks | Dolby Digital 5.1 [English] Dolby Digital 5.1 [French] Dolby Digital Surround [English] |
Subtitles | English | English (Closed Captioned) | French | Spanish |
Layers | Single side, Dual layer |
Edition Release Date | Aug 29, 2000 |
Story Synopsis:
Spanning the drug and disco-filled ‘70s and hung over ‘80s, Boogie Nights features Wahlberg as a young man who becomes an adult entertainment superstar when he joins a porn director’s (Reynolds) diverse family (Moore, Cheadle, Reilly and Graham).
DVD Picture:
Due to P.T. Anderson’s dissatisfaction with the previous transfer, “Boogie Nights” was given a new transfer by Lou Levinson (who also transferred “Magnolia”). While the previously released DVD was pleasing, the new anamorphically enhanced 2.40:1 DVD seems to deliver greater depth, with engulfing blacks and colors that seem to kick with a shade of deeper saturation. The picture is smooth and solid throughout, with excellent contrast and shadow delineation. Without direct A/B comparison, it may be difficult to recognize the differences between the two discs. There are really no distractions to complain about as far as pixelization, artifacts or edge enhancement.
Soundtrack:
The Dolby® Digital 5.1-channel discrete soundtrack, like the previous DVD release, is disappointing. The sound is restricted to three-channel stereo with occasional subtle surround envelopment. While recording quality is excellent and the stereo soundstage is spread wide with occasional directional effects, the virtues for an effective surround sound presentation are predominantly wanting. Dialogue is adequately intelligible but also features somewhat compromised spatial integration. The .1 LFE channel, though technically active, is hardly a factor for this sound mix, as is deep bass in general.
DVD/Previously Reviewed DVD Comparative Review:
Due to P.T. Anderson’s dissatisfaction with the previous transfer, Boogie Nights was given a new transfer by Lou Levinson (who also transferred Magnolia). While we thought the previously released DVD was pleasing, the new anamorphically enhanced 2.40:1 DVD seems to deliver greater depth, with engulfing blacks and colors that seem to kick with a shade of deeper saturation. The picture is smooth and solid throughout, with excellent contrast and shadow delineation. Without direct A/B comparison, it may be difficult to recognize the differences between the two discs. There are really no distractions to complain about as far as pixelization, artifacts or edge enhancement.
The Dolby Digital 5.1-channel discrete soundtrack, like the previous DVD release, is disappointing. The sound is restricted to three-channel stereo with occasional subtle surround envelopment. While recording quality is excellent and the stereo soundstage is spread wide with occasional directional effects, the virtues for an effective surround sound presentation are predominantly wanting. Dialogue is adequately intelligible but also features somewhat compromised spatial integration. The .1 LFE, though technically active, is hardly a factor for this sound mix, as is deep bass in general.