Cast View all

	George Bancroft	'Bull' Weed
	Evelyn Brent	'Feathers' McCoy
	Clive Brook	Rolls Royce Wensel
	Fred Kohler	'Buck' Mulligan
	Helen Lynch	Meg / Mulligan's Girl
	Larry Semon	'Slippy' Lewis
	Jerry Mandy	Paloma
	Alfred Allen	Judge
	Shep Houghton	Street Kid
	Andy MacLennan	One of Laughing Faces at the Ball
	Ida May	Laughing Woman at the Ball
	Karl Morse	'High Collar' Sam
	Bob Reeves	Detective at Railroad Station
	Julian Rivero	One of Buck's Henchmen

Crew View all

Director	Josef Von Sternberg
	Arthur Rosson
Writer	Charles Furthman, Howard Hawks, Ben Hecht, Robert N. Lee, George Marion Jr., Josef Von Sternberg
Producer	B.P. Schulberg, Hector Turnbull
Musician	Robert Israel
Photography	Bert Glennon

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Notes

Christmas 2019 gift from Beth
Part of 3-film boxset.

THREE-DISC SPECIAL EDITION FEATURES
High-definition digital restorations of all three films
Six scores: by Robert Israel for all three films, Alloy Orchestra for Underworld and The Last Command, and Donald Sosin and Joanna Seaton for The Docks of New York
Two video essays from 2010, one by UCLA film professor Janet Bergstrom and the other by film scholar Tag Gallagher
Swedish television interview from 1968 with director Josef von Sternberg
PLUS: A booklet featuring essays by critic Geoffrey O’Brien, scholar Anton Kaes, and author and critic Luc Sante; notes on the scores by the composers; Ben Hecht’s original treatment for Underworld; and an excerpt from von Sternberg’s 1965 auto­biography, Fun in a Chinese Laundry, on actor Emil Jannings
Covers by F. Ron Miller

Josef von Sternberg’s riveting breakthrough is widely considered the film that launched the American gangster genre as we know it. George Bancroft plays heavy Bull Weed, a criminal kingpin whose jealous devotion to his moll, Feathers (Evelyn Brent), gets him into hot water with a rival hood and, ultimately, the authorities. Further complicating matters is the attraction that blossoms between Feathers and an alcoholic former lawyer (Clive Brook). With its supple, endlessly expressive camera work and tightly wound screenplay based on a story by legendary scribe Ben Hecht (who won an Oscar for it the first year the awards were given), Underworld solidified von Sternberg’s place as one of Hollywood’s most exciting new talents.

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